What passes through us always leaves a mark.
UNFOLD THE STORY
Trace, mark, feelings, traumas and their effects: this is what has obsessed me for as long as I can remember.
A project where the gaze doubles, blurs, and searches for its own disappearance in form.
It all begins with Meursault, the character from Albert Camus's The Stranger, elusive, almost absent from himself.
Part'EA is my side project, lighter and more direct, kept separate from my institutional art practice.
I was looking for a project that could hold together two things that pull against each other in me: a taste for the rough, the imperfect, the messy, and a need to make meaning, to open up conversation.
05 — CONTINUE